{"product_id":"gisli-sursson-61649-45962","title":"Gisli Súrsson # 61649","description":"Gísli Súrsson. A play in three acts. Gísli Súrsson. A play also some poems. Author Beatrice Helen Barmby. Matthías Jochumsson an Icelandic.\u003cbr\u003e\u003cbr\u003e In Norðurland 2. vol. 45.tbl. 1903 the following review of the play appeared.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This play is by an English girl, who \u003cbr\u003edied in 1899, but when she wrote it, she was\u003cbr\u003e almost thirty-five. She herself knew Icelandic, and became well-versed in Icelandic.\u003cbr\u003e ancient teachings. When it is taken into account how\u003cbr\u003e The young girl was, when she wrote the play, one can say that she succeeded.\u003cbr\u003e surprisingly, but it cannot be seen that he is\u003cbr\u003e no excellent work, and it is far from it,\u003cbr\u003e he has come to terms with the greatest plays\u003cbr\u003e playwrights who are currently alive, for example\u003cbr\u003e Henrik Ibsen, as there are few who can\u003cbr\u003e nothing to compare with him. There are and\u003cbr\u003e undoubtedly an exaggeration, as stated in the introduction,\u003cbr\u003e that rarely or never have works of art been\u003cbr\u003e brought into a new artistic costume even as \"Gísli\",\u003cbr\u003e because it is common knowledge that brilliant plays are cooked\u003cbr\u003e out of brilliant novels, but if\u003cbr\u003e This refers to our ancient stories, such as\u003cbr\u003e I suspect, then you don't have to look far.\u003cbr\u003e to find much more artwork\u003cbr\u003e taken from Icelandic history, and I mean here\u003cbr\u003e A poem by the translator of this play.\u003cbr\u003e Again, few have improved at composing \u003cbr\u003eplays based on Icelandic sagas, neither foreign nor domestic, and it is relevant,\u003cbr\u003e that our ancient stories are so dramatic\u003cbr\u003e (so well suited to the performing arts) in general, that it is difficult to improve. Ibsen has\u003cbr\u003e never worked according to any Icelandic story,\u003cbr\u003e and therefore does not come into consideration here,\u003cbr\u003e but it is true that he has had support from Icelandic sagas in at least two of his plays. Since not\u003cbr\u003e is very high on similar plays\u003cbr\u003e and Gísli Súrson is, then we can say with\u003cbr\u003e true, that he bears most or all\u003cbr\u003e similar plays. Advantages of the visual play\u003cbr\u003e are they, according to the character traits of men in\u003cbr\u003e The story is well-told, and little is left out.\u003cbr\u003e from her, although this is actually always the case\u003cbr\u003e and permissible, if possible. It is still good\u003cbr\u003e have taken Gisli's soul war out of Thorgrim's fortress, but that is the crux of the matter. To\u003cbr\u003e disadvantages can be considered that in some places it is\u003cbr\u003e Gísli, too long monologues, because that's not allowed.\u003cbr\u003e takes place in quality plays, which energy \u003cbr\u003eare currently. In another place is\u003cbr\u003e Kill far too many kisses, because even though\u003cbr\u003e It is mentioned widely in stories that people\u003cbr\u003e have remembered each other, then a kiss and a kiss are so far from the way of thinking\u003cbr\u003e Icelanders in ancient times, that little should be carried\u003cbr\u003e on such a place as the ancient Icelanders are described.\u003cbr\u003e Miss Barmby composed her play in verse, but Sir Maithias has changed it to\u003cbr\u003e open-ended question. He keeps himself so close\u003cbr\u003e the ancient language, as much as possible, and he has mostly succeeded in doing so, as his\u003cbr\u003e was a hope and a sign, because now no one knows how to use the ancient language, even\u003cbr\u003e Reverend Matthias. However, there are flaws in the book.\u003cbr\u003e in a unique place, but they are more pronounced\u003cbr\u003e in individual words but the vocabulary. I want\u003cbr\u003e I would like to mention two words in particular, which I believe\u003cbr\u003e completely incapable, and all the more so because poor-quality words and misinterpretations offend them\u003cbr\u003e much more, as they occur in more elaborate\u003cbr\u003e matter. Page 25 reads: He (Þorgrímur)\u003cbr\u003e throws the spear instead; he is an animal \u003cbr\u003e(dúír) the spear. To dúða means to cover,\u003cbr\u003e especially polygamy, e.g. to indulge in\u003cbr\u003e cold, and that meaning cannot come into play here at all, but to die means to shake, and\u003cbr\u003e will be referring to it here. On the last page it says: And now you laugh more.\u003cbr\u003e It is not mentioned what or what has been\u003cbr\u003e was loading. No doubt it should read \"laughs\"\u003cbr\u003e of laughing. Such harmful errors may\u003cbr\u003e do not occur at all in Icelandic and\u003cbr\u003e especially with Sir Matthias \"the clever genius\".\u003cbr\u003e The poems are nice, but not outstanding.\u003cbr\u003e The book is well-made from the printing press.\u003cbr\u003e in her hand, but has nevertheless entered her\u003cbr\u003e A serious printing error. Page 34 is missing a per-\u003cbr\u003e the surname: Þorgrímur at the top of the page, and\u003cbr\u003e can cause misunderstanding.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e O. 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